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	<title>David Krut Publishing and Arts Resource &#187; David Krut Distribution</title>
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	<description>Africa’s No 1 Arts Bookstore and Publisher</description>
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		<title>Esopus 12</title>
		<link>http://www.davidkrutpublishing.com/13368/esopus-12</link>
		<comments>http://www.davidkrutpublishing.com/13368/esopus-12#comments</comments>
		<pubDate>Thu, 01 Apr 2010 11:56:55 +0000</pubDate>
		<dc:creator>Luke Crossley</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[David Krut Distribution]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Esopus]]></category>
		<category><![CDATA[Magazine]]></category>

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		<description><![CDATA[EDITOR&#8217;S NOTE By Tod Lippy OFF-OFF-OFF BROADWAY By Rick Holen, Joe Mauro, John Nutt, and Bob Sevra ARTIST’S PROJECT: MICHAEL ISKOWITZ “A Doll House Society” (removable book) BERN PORTER: A FOUND ESSAY By Mark Melnicove WHERE TO GO / WHAT TO DO / WHEN IN NEW YORK / WEEK OF JUNE 17, 1972 By Bern [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-13376" href="http://www.davidkrutpublishing.com/13368/esopus-12/esopus12"><img class="alignnone size-medium wp-image-13376" title="esopus12" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2010/04/esopus12-220x300.jpg" alt="" width="220" height="300" /></a></p>
<p>EDITOR&#8217;S NOTE<br />
By Tod Lippy</p>
<p>OFF-OFF-OFF BROADWAY<br />
By Rick Holen, Joe Mauro, John Nutt, and Bob Sevra</p>
<p>ARTIST’S PROJECT: MICHAEL ISKOWITZ<br />
“A Doll House Society” (removable book)</p>
<p>BERN PORTER: A FOUND ESSAY<br />
By Mark Melnicove</p>
<p>WHERE TO GO / WHAT TO DO / WHEN IN NEW YORK / WEEK OF JUNE 17, 1972<br />
By Bern Porter</p>
<p>ARTIST’S PROJECT: JAMES PYMAN<br />
“The Adventures of Lionel: The Book of Hours”</p>
<p>100 FRAMES: KILLER OF SHEEP (1977)<br />
By Charles Burnett; Introduction by Armond White</p>
<p>CHAMBER PIECES<br />
Photographs by Stanley Greenberg; essay by Peter Galison</p>
<p>ARTIST’S PROJECT: FIONA BANNER<br />
“Top Gun, 2004” (removable poster)</p>
<p>ANGUS TRUMBLE’S 1933 IN RETROSPECT<br />
One year. One page. (12th in a series)</p>
<p>MODERN ARTIFACTS: STATES OF GRACE<br />
Introduction by Michelle Elligott</p>
<p><strong>ESOPUS at David Krut Bookstores</strong></p>
<p><a href="http://www.davidkrutpublishing.com/1191/esopus" target="_self">Esopus 8</a></p>
<p><a href="http://www.davidkrutpublishing.com/6841/esopus-9" target="_self">Esopus 9</a></p>
<p><a href="http://www.davidkrutpublishing.com/6846/esopus-10" target="_self">Esopus 10</a></p>
<p><a href="http://www.davidkrutpublishing.com/13367/esopus-11" target="_self">Esopus 11</a></p>
<p><a href="http://www.davidkrutpublishing.com/13369/esopus-13" target="_self">Esopus 13</a></p>
<p><a href="http://www.davidkrutpublishing.com/6864/esopus-editorial-policy-tod-lippy" target="_self">Esopus Editorial Policy</a></p>
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		<title>Esopus 13</title>
		<link>http://www.davidkrutpublishing.com/13369/esopus-13</link>
		<comments>http://www.davidkrutpublishing.com/13369/esopus-13#comments</comments>
		<pubDate>Thu, 01 Apr 2010 11:56:53 +0000</pubDate>
		<dc:creator>Luke Crossley</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[David Krut Distribution]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Esopus]]></category>
		<category><![CDATA[Magazine]]></category>

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		<description><![CDATA[ARTISTS&#8217; PROJECT: OLIVER HERRING AND PETER KRASHES ON WRITING THE MIDDLE ROOM By Jennifer Moxley APPLIED ART: THE WORK OF ALEX MASKET Interview with Elaine and Steve Masket by Tod Lippy IN MEMORIAM: EXTRA BUTTONS Introduction by Ellen Ellickson NEW VOICES: “HOW TO WIN IN RENO” By Kelly Sandoval ARTIST&#8217;S PROJECT: MICKEY SMITH “Untitled,” 2009 [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-13375" href="http://www.davidkrutpublishing.com/13369/esopus-13/esopus13"><img class="alignnone size-medium wp-image-13375" title="esopus13" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2010/04/esopus13-220x300.jpg" alt="" width="220" height="300" /></a></p>
<p>ARTISTS&#8217; PROJECT: OLIVER HERRING AND PETER KRASHES</p>
<p>ON WRITING <em>THE MIDDLE ROOM</em><br />
By Jennifer Moxley</p>
<p>APPLIED ART: THE WORK OF ALEX MASKET<br />
Interview with Elaine and Steve Masket by Tod Lippy</p>
<p>IN MEMORIAM: EXTRA BUTTONS<br />
Introduction by Ellen Ellickson</p>
<p>NEW VOICES: “HOW TO WIN IN RENO”<br />
By Kelly Sandoval</p>
<p>ARTIST&#8217;S PROJECT: MICKEY SMITH<br />
“Untitled,” 2009 (with removable poster)</p>
<p>MODERN ARTIFACTS: NUMBER 13<br />
Introduction by Michelle Elligott</p>
<p>Angus Trumble&#8217;s 1913 In Retrospect<br />
One year. One page. (13th in a series)</p>
<p>ARTIST&#8217;S PROJECT: JEFF GIBSON<br />
“Encyclopædia Paredolia,” 2009</p>
<p>GUARDED OPINIONS<br />
Commentary by La’Quasia Risper; Edited by Paul VanDeCarr</p>
<p>SEARCHING FOR NOSTRADAMUS<br />
By Stéphane Gerson</p>
<p><strong>ESOPUS at David Krut Bookstores</strong></p>
<p><a href="http://www.davidkrutpublishing.com/1191/esopus" target="_self">Esopus 8</a></p>
<p><a href="http://www.davidkrutpublishing.com/6841/esopus-9" target="_self">Esopus 9</a></p>
<p><a href="http://www.davidkrutpublishing.com/6846/esopus-10" target="_self">Esopus 10</a></p>
<p><a href="http://www.davidkrutpublishing.com/13367/esopus-11" target="_self">Esopus 11</a></p>
<p><a href="http://www.davidkrutpublishing.com/13368/esopus-12" target="_self">Esopus 12</a></p>
<p><a href="http://www.davidkrutpublishing.com/6864/esopus-editorial-policy-tod-lippy" target="_self">Esopus Editorial Policy</a></p>
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		<title>Esopus 11</title>
		<link>http://www.davidkrutpublishing.com/13367/esopus-11</link>
		<comments>http://www.davidkrutpublishing.com/13367/esopus-11#comments</comments>
		<pubDate>Thu, 01 Apr 2010 11:50:33 +0000</pubDate>
		<dc:creator>Luke Crossley</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[David Krut Distribution]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Esopus]]></category>
		<category><![CDATA[Magazine]]></category>

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		<description><![CDATA[PORTFOLIO: DWIGHT RIPLEY’S “TRAVEL POSTERS” Introduction by Douglas Crase ARTIST’S PROJECT: JASON POLAN &#8220;Favorite Things about New York&#8221; (2008) “ARE WE ALL ON THE SAME PAGE?” By Dan Harris ARTIST’S PROJECT: DARINA KARPOV &#8220;Sudden Appearances into Vanishing&#8221; (2008) NEW VOICES: “THE CAMERAMAN” Fiction by Maureen O&#8217;Leary ARTIST’S PROJECT: ROBERT THERRIEN Perspectives on Red Room FOR [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-13374" href="http://www.davidkrutpublishing.com/13367/esopus-11/esopus12-001"><img class="alignnone size-medium wp-image-13374" title="esopus12 001" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2010/04/esopus12-001-219x300.jpg" alt="" width="219" height="300" /></a></p>
<p>PORTFOLIO: DWIGHT RIPLEY’S “TRAVEL POSTERS”<br />
Introduction by Douglas Crase</p>
<p>ARTIST’S PROJECT: JASON POLAN<br />
&#8220;Favorite Things about New York&#8221; (2008)</p>
<p>“ARE WE ALL ON THE SAME PAGE?”<br />
By Dan Harris</p>
<p>ARTIST’S PROJECT: DARINA KARPOV<br />
&#8220;Sudden Appearances into Vanishing&#8221; (2008)</p>
<p>NEW VOICES: “THE CAMERAMAN”<br />
Fiction by Maureen O&#8217;Leary</p>
<p>ARTIST’S PROJECT: ROBERT THERRIEN<br />
Perspectives on <em>Red Room</em></p>
<p>FOR YOUR RECONSIDERATION: <em>YOUTH ’68</em><br />
Excerpts from a film script by Jim Henson</p>
<p>100 FRAMES: LUCRECIA MARTEL’S <em>LA CIÉNEGA</em><br />
Introduction by Kent Jones</p>
<p>MODERN ARTIFACTS 5: EARLY REGISTRATION<br />
Introduction by Michelle Elligott</p>
<p>ANGUS TRUMBLE’S 1 IN RETROSPECT<br />
Year One. On one page. (11th in a series)</p>
<p><strong>ESOPUS at David Krut Bookstores</strong></p>
<p><a href="http://www.davidkrutpublishing.com/1191/esopus" target="_self">Esopus 8</a></p>
<p><a href="http://www.davidkrutpublishing.com/6841/esopus-9" target="_blank">Esopus 9</a></p>
<p><a href="http://www.davidkrutpublishing.com/6846/esopus-10" target="_self">Esopus 10</a></p>
<p><a href="http://www.davidkrutpublishing.com/13368/esopus-12" target="_self">Esopus 12</a></p>
<p><a href="http://www.davidkrutpublishing.com/13369/esopus-13" target="_self">Esopus 13</a></p>
<p><a href="http://www.davidkrutpublishing.com/6864/esopus-editorial-policy-tod-lippy" target="_self">Esopus Editorial Policy</a></p>
]]></content:encoded>
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		<item>
		<title>Through the Darkness: A Life in Zimbabwe</title>
		<link>http://www.davidkrutpublishing.com/6972/through-the-darkness</link>
		<comments>http://www.davidkrutpublishing.com/6972/through-the-darkness#comments</comments>
		<pubDate>Fri, 19 Jun 2009 11:26:34 +0000</pubDate>
		<dc:creator>Luke Crossley</dc:creator>
				<category><![CDATA[African History]]></category>
		<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[David Krut Distribution]]></category>
		<category><![CDATA[South African]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Zimbabwe]]></category>

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		<description><![CDATA[Through the Darkness: A Life In Zimbabwe is a book long anticipated. Judith Todd’s chronicle of Mugabe’s crimes against his people appals, yet the ‘life’ of the subtitle has been a high-spirited crusade for justice, democracy and freedom of the press.   Firmly attached to the progressive values of her parents Grace and Garfield Todd [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><em style="mso-bidi-font-style: normal;"><span style="font-size: 10pt; font-family: Verdana;"><a rel="attachment wp-att-6975" href="http://www.davidkrutpublishing.com/6972/through-the-darkness/throughthedarkness-todd"><img class="alignnone size-medium wp-image-6975" title="throughthedarkness-todd" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2009/06/throughthedarkness-todd-195x300.jpg" alt="throughthedarkness-todd" width="195" height="300" /></a></span></em></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><em style="mso-bidi-font-style: normal;"><span style="font-size: 10pt; font-family: Verdana;">Through the Darkness: A Life In Zimbabwe</span></em><span style="font-size: 10pt; font-family: Verdana;"> is a book long anticipated. Judith Todd’s chronicle of Mugabe’s crimes against his people appals, yet the ‘life’ of the subtitle has been a high-spirited crusade for justice, democracy and freedom of the press. </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;">Firmly attached to the progressive values of her parents Grace and Garfield Todd – erstwhile prime minister of colonial Southern Rhodesia – benevolent paternalists engaged in ranching, healing, teaching and politicking in south-west Zimbabwe since 1934, their daughter has proven to be cut from the same cloth. </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;">She was exiled in 1972 by the late Ian Smith, Zimbabwe’s last white prime minister, and stripped of her citizenship by the Mugabe government in 2003. Todd now holds New Zealand citizenship and lives in Cape Town, South Africa.</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="bookdetailtxt1"><span style="font-size: 10pt; color: windowtext; font-family: Verdana;">When Todd returned to Zimbabwe from exile in Britain shortly before independence in 1980, and</span></span><span style="font-size: 10pt; font-family: Verdana;"> <span class="bookdetailtxt1"><span style="color: windowtext; font-family: Verdana; mso-ansi-font-size: 10.0pt; mso-bidi-font-size: 10.0pt;">soon realised that, far from being the solution to Zimbabwe’s ills, Robert Mugabe and his ruling Zanu (PF) party were increasingly becoming the problem. </span></span>She says when asked what she thinks went wrong in the country that &#8220;it&#8217;s almost as if Mugabe is angry he is mortal and wants everyone else to die before he does.&#8221;<span class="bookdetailtxt1"><span style="color: windowtext; font-family: Verdana; mso-ansi-font-size: 10.0pt; mso-bidi-font-size: 10.0pt;"> </span></span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="bookdetailtxt1"><span style="font-size: 10pt; color: windowtext; font-family: Verdana;"> </span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="bookdetailtxt1"><span style="font-size: 10pt; color: windowtext; font-family: Verdana;">As the country slid into economic and social decline, Todd had a front-row view from her position as director of a local development agency. Over the first 25 years of Mugabe’s rule, she kept journals, notes and copies of letters and documents from which she has compiled an intensely personal account of life in</span></span><span style="font-size: 10pt; font-family: Verdana;"> <span class="bookdetailtxt1"><span style="color: windowtext; font-family: Verdana; mso-ansi-font-size: 10.0pt; mso-bidi-font-size: 10.0pt;">Zimbabwe</span></span><span class="bookdetailtxt1"><span style="color: windowtext; font-family: Verdana; mso-ansi-font-size: 10.0pt; mso-bidi-font-size: 10.0pt;">. These make up <em style="mso-bidi-font-style: normal;">Through the Darkness: A Life in Zimbabwe.</em></span></span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="bookdetailtxt1"><em style="mso-bidi-font-style: normal;"><span style="font-size: 10pt; color: windowtext; font-family: Verdana;"> </span></em></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;">Todd&#8217;s narrative allows her to record slowly, becoming aware of how ruthlessly the party will enforce its authority and how totally it will contain and then eliminate everything that it regards as dissidence. Only by using the narrative method that she has used is Todd able to convey not only her slow disillusionment but to speak with authority about what is happening. Her authority derives from her presence, from the fact that she records nothing that she has not directly experienced.</span></p>
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		<item>
		<title>Esopus #10</title>
		<link>http://www.davidkrutpublishing.com/6846/esopus-10</link>
		<comments>http://www.davidkrutpublishing.com/6846/esopus-10#comments</comments>
		<pubDate>Fri, 12 Jun 2009 11:32:44 +0000</pubDate>
		<dc:creator>Luke Crossley</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[Collectors Item]]></category>
		<category><![CDATA[Culture]]></category>
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		<category><![CDATA[International]]></category>
		<category><![CDATA[Magazine]]></category>
		<category><![CDATA[Art]]></category>
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		<category><![CDATA[Design]]></category>
		<category><![CDATA[Esopus]]></category>
		<category><![CDATA[Film]]></category>

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		<description><![CDATA[Esopus 10 (Spring 2008)   about esopus CONTENTS:  ARTIST’S PROJECT: BEREND STRIK “Untitled, 2008&#8243; (removable insert) ARTIST’S PROJECT: YVONNE JACQUETTE &#8220;Untitled, 2008&#8243; 50 FRAMES: PETER HUTTON’S AT SEA (2007) Introduction and interview by Scott MacDonald DAILY REMINDERS Letters by Robert Guest ARTIST’S PROJECT: DULCE PINZÓN &#8220;The Real Story of the Superheroes&#8221; NEW VOICES: “PLATE TECTONICS” [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="orangeissuestyle1"><span style="font-size: 10pt; font-family: Verdana; mso-bidi-font-family: Arial;">Esopus 10 (Spring 2008)</span></span><span style="font-size: 10pt; font-family: Verdana;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;"><a rel="attachment wp-att-6849" href="http://www.davidkrutpublishing.com/6846/esopus-10/37fa913567a1e88d21f7e1666e635e90esopus10"><img class="alignnone size-full wp-image-6849" title="37fa913567a1e88d21f7e1666e635e90esopus10" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2009/06/37fa913567a1e88d21f7e1666e635e90esopus10.jpg" alt="37fa913567a1e88d21f7e1666e635e90esopus10" width="419" height="514" /></a></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"> </p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.davidkrutpublishing.com/6864/esopus-editorial-policy-tod-lippy" target="_blank">about esopus</a></span></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="gray101"></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">CONTENTS</span></span><span style="font-size: 10pt; font-family: Verdana;">:</span><span style="font-size: 10pt; font-family: Verdana;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;"><a href="http://www.esopusmag.com/archivesubright.php?Id=3619&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">ARTIST’S PROJECT: BEREND STRIK</span></a><br />
“Untitled, 2008&#8243; (removable insert)</span></p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3620&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">ARTIST’S PROJECT: YVONNE JACQUETTE</span></a><br />
&#8220;Untitled, 2008&#8243;</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3622&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">50 FRAMES: PETER HUTTON’S AT SEA (2007)</span></a><br />
Introduction and interview by Scott MacDonald</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3623&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">DAILY REMINDERS</span></a><br />
Letters by Robert Guest</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3624&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">ARTIST’S PROJECT: DULCE PINZÓN</span></a><br />
&#8220;The Real Story of the Superheroes&#8221;</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3625&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">NEW VOICES: “PLATE TECTONICS”</span></a><br />
By Lesley Clayton</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3626&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">DOUG McNAMARA’S BIODIVERSIONS</span></a><br />
Interview by Tod Lippy</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3627&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">THE DESERT</span></a><br />
By Jen Bervin</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3628&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">MODERN ARTIFACTS 4: DRAWING COMPARISONS</span></a><br />
Introduction by Michelle Elligott</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3629&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">1929 IN RETROSPECT</span></a><br />
By Angus Trumble</p>
<p><a href="http://www.esopusmag.com/archivesubright.php?Id=3630&amp;pID=3618"><span style="color: windowtext; text-decoration: none; text-underline: none; mso-bidi-font-family: Arial;">GUARDED OPINIONS 3</span></a><br />
By Berhanu Taffa. Edited by Paul VanDeCarr.
</p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span class="gray11"><span style="font-size: 10pt; font-family: Verdana; mso-bidi-font-family: Arial;">ESOPUS CD #10: GOOD NEWS </span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; font-family: Verdana;"><a rel="attachment wp-att-6848" href="http://www.davidkrutpublishing.com/6846/esopus-10/8d68b194d77895483209d39142864534esopus10cd"><img class="alignnone size-full wp-image-6848" title="8d68b194d77895483209d39142864534esopus10cd" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2009/06/8d68b194d77895483209d39142864534esopus10cd.jpg" alt="8d68b194d77895483209d39142864534esopus10cd" width="262" height="262" /></a><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">The more man meditates upon good thoughts, the better will be his world and the world at large. —Confucius</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Our tenth compilation CD features positive thinking—and inspired songwriting—from 12 musical acts who we invited to choose and interpret pieces of news they felt could be construed as “positive” to use as the inspiration for brand-new songs. Topics ranged from Liza Minnelli’s speedy recovery from a stage fall (Man Man), the black-footed ferret’s rebound from near-extinction (Neko Case and Carl Newman), the opening of a “death hotel” in Japan with coffins for beds (The Real Tuesday Weld), the U.S. government’s forthcoming income-tax rebate (Chris Rehm), and the miraculous tale of a Manhattan window-washer who fell 47 stories and survived (Marnie Stern and Artificial Workshop).</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Track List (with links to referenced articles):</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">1. &#8220;Love at the Death Hotel,&#8221; by The Real Tuesday Weld</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.dailytimes.com.pk/default.asp?page=2007\12\11\story_11-12-2007_pg9_10"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;DEATH HOTEL&#8221;</span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">2. &#8220;Yon Ferrets Return,&#8221; by Neko Case and Carl Newman</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.defenders.org/newsroom/press_releases_folder/2007/12_20_2007_fws_releases_black-footed_ferrets_in_kansas.php"><span style="color: windowtext; text-decoration: none; text-underline: none;">BLACK-FOOTED FERRETS RELEASED IN KANSAS</span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">3. &#8220;Impendin&#8217; Recession,&#8221; by Chris Rehm</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.cnn.com/2008/POLITICS/02/08/economic.stimulus/index.html?iref=24hours"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;TREASURY CHIEF: TAX REBATE CHECKS TO GO OUT IN MAY&#8221; </span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">4. &#8220;Fathom Five,&#8221; by Marnie Stern</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.nytimes.com/2008/01/04/nyregion/04fall.html?ref=nyregion"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;&#8216;MIRACULOUS&#8217; RECOVERY FOR MAN WHO FELL 47 FLOORS&#8221;</span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">5. &#8220;I&#8217;ve Always Known,&#8221; by Busdriver</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">&#8220;L.A. GANGS: NINE MILES AND SPREADING&#8221; </span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">6. &#8220;A Song for Liza Minnelli,&#8221; by Man Man</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.news.com.au/heraldsun/story/0,21985,23005833-5006024,00.html"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;LIZA MINNELLI RECOVERS QUICKLY FROM STAGE COLLAPSE&#8221; </span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">7. &#8220;Priceless,&#8221; by Langhorne Slim</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://news.bbc.co.uk/2/hi/entertainment/5303200.stm"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;STOLEN MUNCH PAINTINGS FOUND SAFE&#8221; </span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">8. &#8220;A Song in the News,&#8221; by Ryan Adams</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">9. &#8220;Butterfly Knife,&#8221; by Gowns</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.laweekly.com/news/features/two-against-one/2095/"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;TWO AGAINST ONE&#8221;</span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">10. &#8220;Boredom Arcades,&#8221; by Catherine McRae</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.businessweek.com/innovate/content/jan2008/id2008017_792930.htm?chan=innovation_architecture_top+stories"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;CONEY ISLAND: RIDES AGAIN?&#8221;</span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">11. &#8220;Sleeping Village Appears Empty,&#8221; by Atlas Sound</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.gallup.com/poll/103483/Most-Americans-Very-Satisfied-Their-Personal-Lives.aspx"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;MOST AMERICANS “VERY SATISFIED” WITH THEIR PERSONAL LIVES&#8221;</span></a></span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">12. &#8220;Miracle Man,&#8221; by Artificial Workshop</span></span><span style="font-size: 10pt; font-family: Verdana;"><br />
</span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.guardian.co.uk/world/2008/jan/05/usa.topstories3"><span style="color: windowtext; text-decoration: none; text-underline: none;">&#8220;MIRACLE ON 66TH STREET: WINDOW CLEANER SURVIVES 47 STOREY FALL&#8221;</span></a></span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Musician&#8217;s Bios:</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.ryan-adams.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Ryan Adams</span></a> has released a number of albums, including Heartbreaker (2000), the Grammy nominated Gold (2001), Rock N Roll (2003), 29 (2005), and last year’s Easy Tiger. Adams made three records with the storied alt-country band Whiskeytown prior to his solo career and has since recorded two albums with backing band the Cardinals. The longtime New Yorker has also released myriad EPs and singles and frequently collaborates with other musicians (including Emmylou Harris and Willie Nelson, whose album Songbird Adams produced in 2006). He is currently recording a new album with the Cardinals.</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Graphic designer <a href="http://www.typeandline.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Dominic Dyson </span></a>is the force behind <a href="http://www.esopusmag.com/%20%20http:/www.myspace.com/artificialworkshop"><span style="color: windowtext; text-decoration: none; text-underline: none;">Artificial Workshop</span></a>. When not working on his “manufactured” electro-art-pop music, Dyson teaches at the School of Graphic Design at the London College of Communication.</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.myspace.com/bradfordcox"><span style="color: windowtext; text-decoration: none; text-underline: none;">Atlas Sound</span></a> is the solo project of Bradford Cox, who is also the front man of Atlanta psych-rock band <a href="http://www.myspace.com/deerhunter"><span style="color: windowtext; text-decoration: none; text-underline: none;">Deerhunter</span></a>. Atlas Sound’s most recent album is Let the Blind Lead Those Who Can See But Cannot Feel, released by Kranky Records in 2008. </span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://busdriversite.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Busdriver </span></a>is Los Angeles MC Regan Farquhar, a seminal figure in the alternative hip-hop world known for his hyper-literate, dizzyingly dense rapping style. Busdriver’s albums include Memoirs of an Elephant Man (2001), The Weather (2003), Fear of a Black Tangent (2005), and last year’s RoadKillOvercoat (on Epitaph Records).</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.nekocase.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Neko Case</span></a>’s highly regarded solo albums include her 1997 debut The Virginian, Furnace Room Lullaby (2000), and Fox Confessor Brings the Flood, which topped many critics’ “Best of 2006” lists. Case, who attended art school in Canada, is also a member of Vancouver-based band the <a href="http://www.thenewpornographers.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">New Pornographers </span></a>with <a href="http://www.acnewman.net/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Carl (A.C.) Newman</span></a>. The New Pornographer’s albums include Mass Romantic (2000), Twin Cinema (2005), and last year’s Challengers. Newman, who formerly led the band Zumpano, released his 2004 solo effort The Slow Wonder on Matador Records.</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">The Bay Area band <a href="http://www.myspace.com/gowns"><span style="color: windowtext; text-decoration: none; text-underline: none;">Gowns</span></a> is the project of vocalist/guitarist Erika Anderson and vocalist/keyboard player Ezra Buchla (who have been joined on the road by drummer Jacob Felix Heule and bassist Daniel Brummel). Their debut album, Red State, appeared on Cardboard Records in 2007. </span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Brooklyn-based <a href="http://www.myspace.com/langhorneslim"><span style="color: windowtext; text-decoration: none; text-underline: none;">Langhorne Slim </span></a>was born Sean Scolnick in Langhorne, PA. He has toured with the Trachtenburg Family Slideshow Players, Cake, and the Violent Femmes and is releasing a new full-length CD on Kemado Records this spring. </span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Philadelphia-based <a href="http://www.wearemanman.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Man Man</span></a> is known for the exuberant live performances of its members Honus Honus, Sergei Sogay, Pow Pow, Critter Crat, and Chang Wang. The band’s albums include Six Demon Bag (2006) and Rabbit Habits, released by Anti- Records in 2008.</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Violinist and singer Catherine McRae has played with Patti Smith, Nick Tosches, Vic Chesnutt, Tom Verlaine, and the Arkansas Symphony Orchestra.She currently collaborates with T. Griffin as one half of the <a href="http://www.shinylittlerecords.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Quavers</span></a>, whose album Lit By Your Phone was released in late 2007. McRae, who lives in Brooklyn, has also worked with filmmaker Jem Cohen and theater director Richard Maxwell. </span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;"><a href="http://www.tuesdayweld.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">The Real Tuesday Weld</span></a> was founded, and is fronted, by Londoner <a href="http://theclerkenwellkid.blogspot.com/"><span style="color: windowtext; text-decoration: none; text-underline: none;">Stephen Coates</span></a>. The band’s albums include At the House of the Clerkenwell Kid (2001), I, Lucifer (a soundtrack companion to the 2004 book of the same name by Glen Duncan), and The London Book of the Dead, released in 2007 on Six Degrees Records. </span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Based in Houston, TX, 17-year-old <a href="http://www.purevolume.com/chrisrehm"><span style="color: windowtext; text-decoration: none; text-underline: none;">Chris Rehm </span></a>self-released the album I Am the Hot Potato&#8230;I Hope You Work Out last year and is also a member of several other area bands. The high school senior will attend Loyola College in New Orleans next fall.</span></span><span class="gray101"><span style="font-size: 10pt; color: windowtext; font-family: Verdana; mso-bidi-font-family: Arial;">Singer, songwriter, and guitarist <a href="http://www.myspace.com/marniestern1"><span style="color: windowtext; text-decoration: none; text-underline: none;">Marnie Stern</span></a> lives in New York City. Kill Rock Stars released her critically acclaimed debut album, In Advance of the Broken Arm, in 2007.</span></span></p>
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		<title>Esopus #9</title>
		<link>http://www.davidkrutpublishing.com/6841/esopus-9</link>
		<comments>http://www.davidkrutpublishing.com/6841/esopus-9#comments</comments>
		<pubDate>Fri, 12 Jun 2009 11:24:21 +0000</pubDate>
		<dc:creator>Luke Crossley</dc:creator>
				<category><![CDATA[Bookstore]]></category>
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		<category><![CDATA[video]]></category>

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		<description><![CDATA[Esopus 9 (Fall 2007) about esopus CONTENTS: A SHORT FILM ABOUT ANDY WARHOL By Jim LyonsARTIST&#8217;S PROJECT: SARAH MALAKOFF &#8220;Untitled Interiors&#8221;DECONSTRUCTING CONSTRUCTING By David QuarfootARTIST&#8217;S PROJECT: CHARLIE WHITE &#8220;American Blondes 2005&#8243;I&#8217;M WITH THE BAND By Heather McPhersonFOUND OBJECT: STALAG JOURNAL Contributed by John Limon100 FRAMES: &#8220;I DON&#8217;T WANT TO SLEEP ALONE&#8221; by Tsai Ming-Liang; Afterword [...]]]></description>
			<content:encoded><![CDATA[<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-family: Verdana;"><span style="font-size: small;">Esopus 9 (Fall 2007)</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"> </span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; color: black; font-family: Verdana;"><a rel="attachment wp-att-6843" href="http://www.davidkrutpublishing.com/6841/esopus-9/7d6021d63ac1e811a1ae2090f6e2f1cdesopus9"><img class="alignnone size-medium wp-image-6843" title="7d6021d63ac1e811a1ae2090f6e2f1cdesopus9" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2009/06/7d6021d63ac1e811a1ae2090f6e2f1cdesopus9-244x300.jpg" alt="7d6021d63ac1e811a1ae2090f6e2f1cdesopus9" width="244" height="300" /></a></span></p>
<p><a href="http://www.davidkrutpublishing.com/6864/esopus-editorial-policy-tod-lippy" target="_blank">about esopus</a></p>
<p>CONTENTS:</p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; color: black; font-family: Verdana;"><a href="http://www.davidkrutpublishing.com/dkp/wp-admin/archivesubright.php?Id=3558&amp;pID=3547"></a></span></p>
<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">A SHORT FILM ABOUT ANDY WARHOL</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
By Jim Lyons</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">ARTIST&#8217;S PROJECT: SARAH MALAKOFF</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
&#8220;Untitled Interiors&#8221;</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">DECONSTRUCTING CONSTRUCTING</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
By David Quarfoot</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">ARTIST&#8217;S PROJECT: CHARLIE WHITE</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
&#8220;American Blondes 2005&#8243;</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">I&#8217;M WITH THE BAND</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
By Heather McPherson</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">FOUND OBJECT: STALAG JOURNAL</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
Contributed by John Limon</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">100 FRAMES: &#8220;I DON&#8217;T WANT TO SLEEP ALONE&#8221;</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
by Tsai Ming-Liang; Afterword by Claire Denis</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">ARTIST&#8217;S PROJECT: KAY ROSEN</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
&#8220;ABC, a Primer&#8221; (removable book)</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">MODERN ARTIFACTS 3: TENTATIVE AND CONFIDENTIAL</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
Introduction by Michelle Elligott</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">1824 IN RETROSPECT</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
By Angus Trumble</span><span style="text-decoration: underline;"><span style="font-size: 10pt; text-transform: uppercase; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">ESOPUS SUBSCRIBER INVITATIONAL #3</span></span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
Dreams submitted by <em>Esopus</em> readers</span></p>
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<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;">ESOPUS CD #9: DREAMS<br />
</span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br />
<a rel="attachment wp-att-6842" href="http://www.davidkrutpublishing.com/6841/esopus-9/2fd6d55966fd948be0c0663c17e83c2aesopus9cd"><img class="alignnone size-full wp-image-6842" title="2fd6d55966fd948be0c0663c17e83c2aesopus9cd" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2009/06/2fd6d55966fd948be0c0663c17e83c2aesopus9cd.jpg" alt="2fd6d55966fd948be0c0663c17e83c2aesopus9cd" width="262" height="262" /></a><br />
For our third subscriber invitational, <em>Esopus</em> asked readers to send us descriptions of their dreams. We passed along about one hundred submissions to 11 musical acts, asking each of them to choose one to serve as inspiration for a song. The selected dreams appear in the issue, along with an introduction by guest editor Mike Powell, and are accompanied by five extraordinary dream-images created for <em>Esopus</em> by artist Daniel Gordon.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Black Moth Super Rainbow</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> has released four records on the Graveface label, including <em>Falling Through a Field</em> (2004) and this year’s <em>Dandelion Gum</em>. The band’s members—Tobacco, The Seven Fields of Aphelion, Father Hummingbird, Power Pill Fist, and Iffernaut—all live in the Pittsburgh area.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Cheval Sombre</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> is the project of New York–based poet and musician Christopher Porpora. His poems have been collected in two books: <em>In Mine Eyes</em> and <em>Becoming,</em> both published by Anne’s House Press.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Dirty Projectors</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> since 2003. He is currently collaborating with Brian McOmber, Amber Coffman, and Angel Deradoorian. The Brooklyn resident’s 2005 album <em>The Getty Address</em> was a “glitch opera” about Don Henley; his most recent record is <em>Rise Above</em>.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Hank</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;">. Their albums <em>Ackrill/Venning ’91</em> (2003) and <em>How to Prosper in the Coming Bad Years</em> (2004) are available on Blocks Recording Club.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">High Places</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> is Mary Pearson and Robert Barber, who live and work in Brooklyn, NY. The duo just released its debut self-titled EP on Ancient Almanac.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Ida</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> was formed in 1994 by husband and wife Daniel Littleton and Elizabeth Mitchell. The band’s current lineup also includes Jean Cook, Karla Schickele, and Ruth Keating; they are also frequently joined by pedal steel player Matt Sutton. Ida’s albums include <em>I Know About You</em> (1996), <em>The Braille Night</em> (2001), and <em>Heart Like a River</em> (2005).</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Paavoharju</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> (whose other members include Jenni Koivistoinen, Ragnar Rock, and Emmi Uimonen). Their first album, <em>Yhä hämärää,</em> was released on Fonal in 2005; the band is currently finishing work on a new record.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Lucy Wainwright Roche</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> comes from a musical family: Her mother Suzzy Roche, father Loudon Wainwright, and half-brother Rufus Wainwright are all singer-songwriters. Lucy, who grew up in Greenwich Village and attended Oberlin College, has taught second and third grade in New York City but now tours as a musician. Her first album is <em>8 Songs.</em></span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">Ta’Raach &amp; the Lovelution</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> is the project of Terrell McMathis, an instrumental figure in the underground hip-hop scene in late-’90s Detroit (where he went by the moniker Lacksidaisycal). His first solo album, <em>The Fevers,</em> was released earlier this year; he currently lives in Pasadena.</span><span style="text-decoration: underline;"><span style="font-size: 10pt; color: #999999; font-family: Verdana; mso-bidi-font-weight: bold;">White Whale</span></span><span style="font-size: 10pt; color: black; font-family: Verdana; mso-bidi-font-weight: bold;"> is Matthew Suggs, Rob Pope, John Anderson, Zach Holland, and Dustin Kinsey. The band’s first album, <em>WWI,</em> was released in 2006 by Merge Records.</span><span style="font-size: 10pt; color: black; font-family: Verdana;"><br style="mso-special-character: line-break;" /><br style="mso-special-character: line-break;" /></span></p>
<p><span style="mso-bidi-font-weight: bold;">Daniel Gordon’s photographs have been featured in solo exhibitions at the Zach Feuer Gallery in New York, GroeflinMaag Gallery in Basel, Switzerland, and Angstrom Gallery in Dallas, TX. His work has also appeared in several group shows in New York and Texas. He received an Emerging Artist award from the Scope Foundation in 2003.</span></p>
<p>Brooklyn resident Mike Powell has written about music for Stylus, Pitchfork, the <em>Oxford</em><em> American, Wire,</em> and <em>The Village Voice.</em></p>
<p>TRACK LIST:</p>
<p>1. &#8220;One Day I Had an Extra Toe,&#8221; by Black Moth Super Rainbow<br />
2. &#8220;A Heavenly Light that Shines,&#8221; by White Whale<br />
3. &#8220;Sumuvirsi,&#8221; by Paavoharju<br />
4. &#8220;Me and My Daddy Are Walking in the Desert,&#8221; by Hank<br />
5. &#8220;Moon Flower,&#8221; by Ida<br />
6. &#8220;One Kill,&#8221; by Dirty Projectors<br />
7. &#8220;Oceanus,&#8221; by High Places<br />
8. &#8220;Two/The Machinery in Your Stomach&#8230;,&#8221; by Califone<br />
9. &#8220;Poison,&#8221; by Lucy Wainwright Roche<br />
10. &#8220;Montparnasse,&#8221; by Ta&#8217;Raachh &amp; the Lovelution<br />
11. &#8220;I Sleep,&#8221; by Cheval Sombre</p>
<p><span style="mso-bidi-font-weight: bold;">MUSICIANS’ BIOS:</span></p>
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<p>Chicago-based <a href="http://pastrysharp.com/"><span style="color: #999999;">Califone</span></a>’s first album, <em>Roomsound</em> (2001), was recently reissued on Thrill Jockey. Founder Tim Rutili, working with a rotating cast of musicians, has since recorded <em>Sometimes Good Weather Follows Bad People</em> (2002), <em>Heron King Blues</em> (2004), and <em>Roots &amp; Crowns</em> (2006). Califone’s music was recently featured on the soundtrack for the HBO documentary <em>The Trials of Darryl Hunt.</em></p>
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<p>David Longstreth has been releasing music on Western Vinyl as</p>
<p>Cab Williamson, Magali Meagher, Tara Azzopardi, and Paige Gratland make up the Toronto-based collective</p>
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<p>Brothers Olli and Lauri Ainala are the founders of Finnish collective</p>
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<p>Lawrence, KS–based
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<p><a href="http://www.esopusmag.com">http://www.esopusmag.com</a></p>
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		<title>Spier Contemporary 2007</title>
		<link>http://www.davidkrutpublishing.com/1580/spier2007</link>
		<comments>http://www.davidkrutpublishing.com/1580/spier2007#comments</comments>
		<pubDate>Fri, 28 Mar 2008 08:45:17 +0000</pubDate>
		<dc:creator>Bazukile Diko (Bookstore)</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[Collectors Item]]></category>
		<category><![CDATA[David Krut Distribution]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Catalogue]]></category>
		<category><![CDATA[JAG]]></category>
		<category><![CDATA[Performance-Art]]></category>
		<category><![CDATA[South-African]]></category>
		<category><![CDATA[Spier Contemporary]]></category>

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		<description><![CDATA[Spier Contemporary opened at the Johannesburg Art Gallery on Saturday 15 March. The show was housed in a series of shipping containers at the Spier wine estate in Stellenbosch but now fills the spacious rooms of the JAG. Those fortunate enough to have seen the show in Cape Town should not miss its Joburg run: [...]]]></description>
			<content:encoded><![CDATA[<p><a title="spier-contemporary-2007.jpg" href="../wp-content/uploads/2008/03/spier-contemporary-2007.jpg"><img src="../wp-content/uploads/2008/03/spier-contemporary-2007.jpg" alt="spier-contemporary-2007.jpg" /></a> Spier Contemporary opened at the Johannesburg Art Gallery on Saturday 15 March. The show was housed in a series of shipping containers at the Spier wine estate in Stellenbosch but now fills the spacious rooms of the JAG. Those fortunate enough to have seen the show in Cape Town should not miss its Joburg run: the change in environment affords some interesting observations on the relationship between art and its spatial context.  Many who attended the launch were pleased to discover that our bookstore was up and running and had plenty of copies of the Spier Contemporary catalogue for sale at R200, as well as a good selection of other titles on South African and international art. The show remains at the JAG through April and our bookstore will be open during the gallery&#8217;s normal running hours, including 10 to 5 on Sundays (closed Mondays).  <strong></strong></p>
<p><strong>More on Spier Contemporary</strong></p>
<p>Africa enters the 21st century without a major international museum, research institute or performance venue dedicated to the arts, culture and heritage of the continent. The Africa Centre seeks to address these glaring needs. Based in South Africa, the Africa Centre is both a physical entity and an ongoing philosophical process. It is meant to grow spatially and conceptually over a period of several years, in time it will emerge as a multi-sited, multiple-usage space where the visual, intellectual and performance cultures of Africa, South and North are celebrated, studied and brought to life for diverse audiences in innovative ways.  One of the Africa Centre&rsquo;s new initiatives is the Spier Contemporary. Named after its primary sponsor &#8211; Spier &#8211; the Spier Contemporary is a major South African exhibition and awards which opened on 12 December 2007. Spier Contemporary is a biennial event that began at the Spier Wine Estate.  This choice has come from a belief that arts and culture give us an understanding of the complexities of our society in a way that political and other discourses are not able to provide. In a society as rapidly changing as ours we need many ways of &lsquo;knowing ourselves&rsquo;. One of the themes that have emerged in the last few years in South African art and life is the difficulty of speaking about certain subjects. As ideas of political, cultural, social, moral and other norms have changed or been challenged, there have not always been the vocabularies to cope with these changes.</p>
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		<title>Dis-Location / Re-Location: Leora Farber In Collaboration With Strangelove</title>
		<link>http://www.davidkrutpublishing.com/1597/leora</link>
		<comments>http://www.davidkrutpublishing.com/1597/leora#comments</comments>
		<pubDate>Sat, 09 Feb 2008 08:04:03 +0000</pubDate>
		<dc:creator>Guest Author</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[David Krut Distribution]]></category>
		<category><![CDATA[Leora Farber]]></category>

		<guid isPermaLink="false">http://www.davidkrutpublishing.com/dkp/bookstore/2008/02/leora/</guid>
		<description><![CDATA[<!-- a href="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2008/02/location.jpg" title="Dis-Location / Re-Location: Leora Farber In Collaboration With Strangelove" --><!-- img src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2008/02/location.thumbnail.jpg" alt="Dis-Location / Re-Location: Leora Farber In Collaboration With Strangelove" / --><!-- /a -->
Leora Farber's exhibition, Dis-Location / Re-Location, produced in collaboration with thedesign team Strangelove, traverses places and periods, from Victorian England, nineteenth- and twentieth-century Eastern Europe, to colonial and contemporary South Africa. By means of various media - photographic prints, video, sculpture, sound art, and installation - the exhibition presents the intertwined and inconclusive narratives of three Jewish women.

 

]]></description>
			<content:encoded><![CDATA[<p> <a href="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2008/02/location.jpg" title="Dis-Location / Re-Location: Leora Farber In Collaboration With Strangelove"><img src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/2008/02/location.jpg" alt="Dis-Location / Re-Location: Leora Farber In Collaboration With Strangelove" /></a></p>
<p>Leora Farber&#8217;s exhibition, <em>Dis-Location / Re-Location</em>, produced in collaboration with the design team Strangelove, traverses places and periods, from Victorian England, nineteenth- and twentieth-century Eastern Europe, to colonial and contemporary South Africa. By means of various media &#8211; photographic prints, video, sculpture, sound art, and installation &#8211; the exhibition presents the intertwined and inconclusive narratives of three Jewish women. In this catalogue brochure Leora Farber&#8217;s work is showcased and accompanied by text explaining the work and artist&#8217;s intent.</p>
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		<title>Wilma Cruise: Cocks, Asses, &amp;</title>
		<link>http://www.davidkrutpublishing.com/1394/cruisewilma</link>
		<comments>http://www.davidkrutpublishing.com/1394/cruisewilma#comments</comments>
		<pubDate>Fri, 23 Nov 2007 11:29:29 +0000</pubDate>
		<dc:creator>Bazukile Diko (Bookstore)</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[David Krut Distribution]]></category>
		<category><![CDATA[South African]]></category>
		<category><![CDATA[Ceramics]]></category>
		<category><![CDATA[David-Krut-Projects]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[South-African]]></category>
		<category><![CDATA[Wilma-Cruise]]></category>

		<guid isPermaLink="false">http://www.davidkrutpublishing.com/dkp/bookstore/2007/11/cruisewilma/</guid>
		<description><![CDATA[<!-- img src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/bookcovers_07/thumbnails/thumbn_Untitled_Scanned_01.jpg" alt="Untitled_Scanned_01.jpg" height="100" width="100" / -->
Wilma Cruise uses the body as the vehicle for the exploration of meaning. The body provides the metaphorical link between unconscious realities and the conscious known world. Her sculptures are rendered in expressive life-size figures in bronze and ceramic which in recent years have included animals such as horses and sheep. In collaboration with David Krut Arts Resource she has produced a body of work on paper that incorporates the figure, animals and text.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/bookcovers_07/Untitled_Scanned_01.jpg" alt="Untitled_Scanned_01.jpg" width="250" height="250" /></p>
<p align="justify"><span style="font-family: arial; color: black; font-size: x-small;"> Wilma Cruise uses the body as the vehicle for the exploration of meaning. The body provides  the metaphorical link between unconscious realities and the conscious known world.  Her sculptures are rendered in expressive life-size figures in bronze and ceramic which  in recent years have included animals such as horses and sheep.  In collaboration with  David Krut Arts Resource she has produced a body of work on paper that incorporates the  figure, animals and text.</span><span id="more-1394"></span></p>
<p align="justify"><span style="font-family: arial; font-size: x-small;"> Recent works include The l Suite. This suite of works includes installations and a  series of mono-prints made in collaboration with David Krut Arts Resource and the  commission Sheep May Safely Graze: the Return of the Bultfontein Sheep for the Oliewenhuis  Museum in Bloemfontein. Another public work The Right to Life was installed at the  Constitutional Court in 2004. </span></p>
<p align="justify"><span style="font-family: arial; font-size: x-small;"> Cruise has had eleven one-person shows and curated several others.  She has won awards  including Architect&#8217;s Project Award in 2000 for the Women&#8217;s Monument at the Union Buildings,  the Quarterly Vita Award in 1993 for Nicholas &#8211; October 1990 and the Lorenzo il Magnifico  Award at the Biennale Internazionale Dell’arte Contemporanea, Florence. </span></p>
<p align="justify"><span style="font-family: arial; font-size: x-small;"> Her work is represented in The South African National Gallery, the Corobrik Collection,  the Pretoria Art Museum, The Durban Art Museum, the University of South Africa, MTN, the  Billiton Collection, Standard Bank and the Constitutional Court.</span></p>
<p align="justify"><span style="color: black;">Text taken from http://www.art.co.za/wilmacruise/</span></p>
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		<title>The Beautiful Struggle</title>
		<link>http://www.davidkrutpublishing.com/1340/the-beautiful-struggle</link>
		<comments>http://www.davidkrutpublishing.com/1340/the-beautiful-struggle#comments</comments>
		<pubDate>Wed, 24 Oct 2007 11:12:38 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
				<category><![CDATA[Bookstore]]></category>
		<category><![CDATA[Culture]]></category>
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		<category><![CDATA[South African]]></category>
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		<category><![CDATA[South-African]]></category>
		<category><![CDATA[struggle]]></category>

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		<description><![CDATA[<!-- img width="76" src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/Bookshop/covers/thumbnails/thumbn_The_beautiful_struggle.jpg" alt="The_beautiful_struggle.jpg" height="100" title="The_beautiful_struggle.jpg" / -->
"Style is a big thing in the township. If you look good you feel good. You forget about poverty and find pleasure in the things that you own. It has always been there. I think warriors themselves had a competition about whose spear shined the most," says Monwabizi Mfobo, resident in the township of Langa.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.davidkrutpublishing.com/dkp/wp-content/uploads/Bookshop/covers/The_beautiful_struggle.jpg" alt="The_beautiful_struggle.jpg" width="250" height="331" /></p>
<p>&#8220;Style is a big thing in the township. If you look good you feel good. You forget about poverty and find pleasure in the things that you own. It has always been there. I think warriors themselves had a competition about whose spear shined the most,&#8221; says Monwabizi Mfobo, resident in the township of Langa.<span id="more-1340"></span></p>
<p>The townships of Cape Town burst with creativity. They are the place where traditional African culture meets global youth cultures. Hip-hop has reached South Africa and is reinterpreted according to local conditions. Styles in fashion, dance and music are a way out of poverty. For the first time this fascinating street culture is presented outside South Africa. Tomorrow&#8217;s global subcultures are born in the big cities of the Third World.</p>
<p>Photographer Per Englund offers a brand new image of South Africa. In <em>The Beautiful Struggle</em>, the reader will meet youths talking about their lives and dreams. But life is still a struggle in a society in which the Apartheid structure is still evident.</p>
<p>The texts are written by Per Englund, Mlamli Figlan, born and raised in the township Guguletu and the Danish anthropologist Karen Waltorp. Foreword by Marika Griesehl, Swedish Television&#8217;s former Africa correspondent.</p>
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