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David Krut Publishing, |
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| Johannesburg 011 447-0627 / 011 880-5648 • Cape Town 021 685-0676 • New York 212 255-3094 | |||
David Krut Print Workshop (DKW) was established in 2002 at 140 Jan Smuts Avenue. The aim of the workshop is to provide a professional facility for collaborations between South African artists and local and international printmakers. Emerging and established artists are regularly invited to create limited edition intaglio prints and monotypes at DKW. A second workshop recently opened at Arts On Main in downtown Johannesburg.
DKW Visual Diary: 200828th November 2008 by Jillian Ross
Bruce Backhouse Colbert Mashile Diane Victor Phil Sanders Frieder Danielis Pat Mautloa Maja Maljevic & Ryan Arenson Lungi, Jill and Niall Trasi Henen William Kentridge & Jill Wilma Cruise at the opening of Split: NY.LON.JHB
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Bruce Backhouse – Watercolour Monotypes31st October 2008 by Administrator
Backhouse is well known for his watercolour paintings. In these, as well as in several earlier works created at DKW, his figures and settings have tended towards the satirical. This satire is carried through to his latest works but in these it has been applied in a self-reflexive manner, through the motif of mirrors that [...]
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Bruce Backhouse: Varied Softground Lines23rd June 2008 by Luke Crossley
In our last post of Printmaking Techniques, we explored Diane Victor’s use of softground to achieve etched textures. This week we focus on the purists approach to the softground mark, which has as its aim the creation of pencil-like lines on the plate, as illustrated in the recent works of Bruce Backhouse. Softground etching is [...]
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Bruce Backhouse at DKW.20th June 2008 by Londiwe
Bruce Backhouse is currently working on a new series of prints at DKW. The process is still in its early stages. Here are some pictures of Bruce at work. He is experimenting with a printing technique called soft ground, where a piece of soft paper is fixed on top of the copper plate, on which [...]
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DKW report: April/May 200827th May 2008 by Fiona Pender
What has been interesting in the last period at DKW is the range of techniques used by artists working there. From monotype, to etching, pochoir, lino and wood engraving, each artist had the chance to experiment with their technique(s) of choice. The resultant work is a testament to the diverse nature and collaborative environment of the workshop.
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In the Workshop: April18th April 2008 by Luke Crossley
Wilma Cruise etching project, Jill Ross printing, April 2008 Wilma Cruise etching project, Wilma Cruise drawing with monotype crayons, April 2008 David Koloane creating monotype, April 2008 David Koloane painting onto bed, April 2008 Bruce Backhouse painting onto bed, April 2008
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DKW Update Aug 2006 – Nov 2006 PART THREE13th November 2006 by Jillian Ross
Recently DKW introduced a weekend etching course to our resumé. The course is held over three consecutive Sundays and allows for the creation and printing of two copper plate etchings. The course has proven highly successful in many ways, one of which has been the introduction of new artists and ideas to the studio.
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