David Krut Publishing,
Africa’s No 1 Arts Bookstore and Publisher

Johannesburg 011 447-0627 / 011 880-5648 • Cape Town 021 685-0676 • New York 212 255-3094

prints

David Krut Print Workshop (DKW) was established in 2002 at 140 Jan Smuts Avenue. The aim of the workshop is to provide a professional facility for collaborations between South African artists and local and international printmakers. Emerging and established artists are regularly invited to create limited edition intaglio prints and monotypes at DKW.

A second workshop recently opened at Arts On Main in downtown Johannesburg.

Images of New Bell Lithographs Started in March 2010

19th May 2010 by Anthea Pokroy, Projects Manager

New lithographic stones were created by Deborah Bell at The Robert Blackburn Printmaking Workshop in New York, March 2010. They were created with Phil Sanders, who worked with DKW printers and artists in 2008. Look forward to seeing these prints available later on in the year. If interested please contact taryn@davidkrut.com

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Ryan Arenson, Book of Ruth: Notes on the Exhibition

4th October 2008 by Bronwyn Law-Viljoen

The title of Ryan Arenson’s first show at David Krut Projects is one instance of the serendipitous that seems to have enlivened the period Arenson has spent working closely with the printers at DKW. Failing to find a T in the box of wooden letters used with the letterpress, printer Jillian Ross and Arenson settled for Book of Ruth as the title for one of the prints

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DKW New Releases – A Series of New Monotypes – May 2008

28th May 2008 by Luke Crossley

Bruce Backhouse expanded his style through experimentation with the incorporation of frames into the print itself, and the use of turpentine mixed with ink to achieve an effect reminiscent of watercolours. ghghghghg ghghghghghghghghghghghghghghghghg Bruce Backhouse (above) Distant Couple at the Great Camdeboo Ball II, 2008 Monotype 1/1 Collaborator and Printer: Niall Bingham Gallery At DKW [...]

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DKW report: April/May 2008

27th May 2008 by Fiona Pender

What has been interesting in the last period at DKW is the range of techniques used by artists working there. From monotype, to etching, pochoir, lino and wood engraving, each artist had the chance to experiment with their technique(s) of choice. The resultant work is a testament to the diverse nature and collaborative environment of the workshop.

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Sean Slemon: Experimenting with Carborundum

26th May 2008 by Luke Crossley

In orthodox circumstances an artist will mix carborundum* grit with a PVA wall-paint before painting it onto the surface of the copper. An artist such as Wilma Cruise has used carborundum in the orthodox way, as in “Harrismith”. Slemon proved to the printers at DKW that there can be variations to this approach. Slemon isolated [...]

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Diane Victor: Soft Ground Techniques

19th May 2008 by Luke Crossley

(above) Victor varnishing out areas of the plate that are not to be etched. The varnish protects areas of the plate from the acid. (above) Victor placing a variety of textured materials (eg. newsprint, tinfoil, cheese cloth, canvas) on top of the soft ground, to be run through the press. Once the plate and the [...]

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Ryan Arenson at DKW

24th April 2008 by Fiona Pender

The latest artist to work at DKW is ryan Arenson. Working form drawings and wood engravings, Arenson is interpreting these images using a variety of printing techniques in order to create mixed-media prints.

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Pandora’s Sisters: Diane Victor’s New Editons at DKW

11th April 2008 by Bronwyn Law-Viljoen

Diane Victor’s work is usually described as social commentary, but what critics often miss, perhaps because her strong imagery repels the squeamish or faint-hearted before they can get a proper look, is its humour, either in the form of biting satire or revealed in the artist’s wry self-deprecation. Since the seriousness of Victor’s work is [...]

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Nowicki’s New Prints

12th October 2007 by Fiona Pender

Proofs of Andrzej’s new prints…

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New work by Andrzej Nowicki

11th October 2007 by Fiona Pender


Since arriving in Jo’burg last Thursday, Andrzej hasn’t stopped working. He’s been creating more monotypes, as well as developing his four etching plates.

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